Abstract: Director Tsui Hark adapted an ancient Chinese legend and created the "Second World"-"Jiangnan" in which gods, men and ghosts coexist in the movie "Green Snake". As a "second creator", the director first reconstructed the free space of erotic desire-the White House and the man-made sacred space--Jinshan Temple, and set off the beauty of love through the juxtaposition of spaces; secondly, the director reconstructed the physical space of the characters, such as Fahai's-- the young body becomes the carrier of the conflict between reason and desire, and the green snake, which is intertwined with snake nature and human nature, has changed from a marginal role to the subject of expression of erotic discourse. Through the reconstruction of the fantasy space and fantasy images of the movie, the creator expressed doubts about the traditional order of reason and law, affirmation of human instinct and desire, and the confusion and pursuit of emotion.

Key words: film and television art, Green Snake, Tsui Hark, fantasy space, meaning construction