曲靖师范学院学报 ›› 2017, Vol. 36 ›› Issue (2): 110-115.

• 艺术研究 • 上一篇    下一篇

传统与现代的融合——郭志鸿《云南民歌五首》研究

任红军   

  1. 曲靖师范学院 音乐舞蹈学院,云南 曲靖 655011
  • 收稿日期:2017-01-16 出版日期:2017-03-26
  • 作者简介:任红军,曲靖师范学院音乐舞蹈学院副教授,主要从事音乐学理论、民族音乐学研究。
  • 基金资助:
    云南省哲学社会科学规划课题“云南民歌创编钢琴曲研究”(QN2013064);云南省教育厅科研基金重点项目“云南民歌创编钢琴曲研究”(2013Z094)。

Integration of Tradition and Modern-An Study on Five Folk Songs of Yunnan Province Written by Guo Zhihong

Ren Hongjun   

  1. School of Music and Dance, Qujing Normal University, Qujing Yunnan, 655011,China
  • Received:2017-01-16 Published:2017-03-26

摘要: 郭志鸿的《云南民歌五首》是我国改革开放后诞生的重要钢琴新作之一。沉寂10余年的钢琴创作乐坛,迫切需要一批内容和形式既有民族特色又有突破创新的作品。而作曲家的《云南民歌五首》,可堪称这其中的代表作。作品依托云南少数民族经典传统民歌素材,在创新内容和艺术表现形式等方面,用钢琴化的音乐语言为听众作了极好诠释。

关键词: 钢琴曲, 作曲技术, 郭志鸿, 《云南民歌五首》, 本体研究

Abstract: Five Folk Songs of Yunnan Province is one of the most significant piano pieces since China's reform and opening up. Given that the piano composition has been gloomy for more than ten years,piano pieces which are ethical and innovative in both content and form are extremely needed. Among them, Five Folk Songs of Yunnan Province is counted as one of the master works due to its extensive collection of classic and traditional folk songs of Yunnan minorities and its superb piano performance with original content and innovative forms of art representation.

Key words: piano piece, skills of composition, Guo Zhihong, Five Folk Songs of Yunnan Province, ontology research

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