Abstract: Inscriptions on portraits, as a perspective and pethodological approach to text-image relations, are increasingly employed in literary studies, particularly in the field of ancient literature. Inscriptions on portraits depicting figures and capturing their likeness became a prevalent poetic theme during the Qing Dynasty. As elegance and refinement flourished in the Central Plains, a large number of poem inscriptions on paintings emerged in Yunnan's poetic circles. Among these, inscriptions on portrait paintings were particularly abundant, reflecting a vibrant literary network and a diverse artistic and cultural ecosystem. These inscriptions, inspired by the content of the images, elaborated on the demeanor and moral integrity of notable figures, revealing their individual temperament, aspirations, and family ethical character. As products of literati refinement, the inscriptions enriched the multidimensional interpretation of images, expanded the scope of literary exchanges among Yunnan's scholars, and enhanced their influences. Furthermore, portrait inscriptions carried forward the tradition of capturing spiritual likeness, contributing to the construction of regional celebrity genealogies and the documentation of local literary heritage.

Key words: inscriptions on portraits, Yang Shen, Qian Feng, Shi Fan, Yunnan literature, local literature