曲靖师范学院学报 ›› 2025, Vol. 44 ›› Issue (2): 89-93.

• 文艺学研究 • 上一篇    下一篇

1949年后云南少数民族题材版画创作观念的变迁

李俊华   

  1. 曲靖师范学院 美术学院,云南 曲靖 655011
  • 收稿日期:2024-06-12 出版日期:2025-03-26 发布日期:2025-05-15
  • 作者简介:李俊华,曲靖师范学院美术学院副教授,主要从事美术创作和美术教育研究。
  • 基金资助:
    2024年云南省教育厅科学研究基金项目“三个定位”专项课题“中华民族共同体语境下云南少数民族生活题材版画研究”(2024J0948)。

Changes in the Composing Concepts of Printmaking with Themes of Ethnic Minority Life in Yunnan after 1949

LI Junhua   

  1. Academy of Fine Arts , Qujing Normal University, Qujing Yunnan 655011, China
  • Received:2024-06-12 Published:2025-03-26 Online:2025-05-15

摘要: 1949年新中国成立后,云南画家怀着朴实真挚的感情,运用现实主义创作观念及木刻版画艺术语言创作云南少数民族生活题材版画,讴歌民族幸福生活和民族大团结;20世纪80年代后,云南画家吸收世界现代艺术思想,运用形式主义创作观念及强调形式美感的版画艺术语言再现云南民族生活面貌。20世纪90年代后,云南画家吸取世界当代艺术观念以探索版画本体语言,阐释了云南民族精神与生命意志。云南少数民族生活题材版画创作观念及艺术语言历经的这三次变迁,反映了云南画家不断挖掘民族文化资源的历史轨迹。

关键词: 云南版画, 民族题材, 创作观念, 艺术语言

Abstract: After the founding of the People's Republic of China, Yunnan painters, with sincere and genuine emotions, applied the composing concept of realism and the artistic language of woodcut printmaking to compose prints themed around the lives of ethnic minorities in Yunnan, eulogizing the happy life and great unity of all ethnic groups in the new China. With the reform and opening up in the 1980s, Yunnan painters absorbed the ideas of modern art around the world, employing the composing concept of formalism and the artistic language of printmaking to emphasize the aesthetic sense of form to reproduce the living visage of the ethnic groups in Yunnan. In the 1990s, Yunnan painters drew on contemporary art concepts around the world to explore the language of printmaking itself, beginning to interpret the spirit and will to life of Yunnan's ethnic minorities. The composing concepts and artistic language of Yunnan ethnic minority life-themed printmaking have undergone three shifts, reflecting the historical track of continuously exploring cultural resources.

Key words: Yunnan woodcut, ethnic theme, composing concept, artistic language

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