曲靖师范学院学报 ›› 2022, Vol. 41 ›› Issue (5): 124-128.

• 艺术学研究 • 上一篇    

论杨福音“反线描画法”的艺术与文化意蕴

阮吕菊   

  1. 云南师范大学 美术学院,云南 昆明 650500
  • 收稿日期:2022-06-22 出版日期:2022-09-26 发布日期:2022-11-04
  • 作者简介:阮吕菊,云南师范大学美术学院硕士研究生,主要从事美术历史及理论研究。

Artistic and Cultural Implications of Yang Fuyin's "Anti-line Drawing"

RUAN Lvju   

  1. School of Fine Arts, Yunnan Normal University, Kunming Yunnan 650500, P. R. China
  • Received:2022-06-22 Published:2022-09-26 Online:2022-11-04

摘要: 杨福音中国画的“反线描画法”具有简、变、妙的特征,为中国画开拓了新的绘画形式。意蕴方面,“反线描画法”表现出了“情深味厚、简约高华”的绘画意境;格调方面,“反线描画法”则着力于平衡雅俗之间的关系;“反线描画法”是中国画传承与创新的典范,对当前中国画的发展走向,比如怎样创新笔墨、如何平衡雅俗等,有着重要的启示。

关键词: 当代美术, 中国画, 杨福音, 反线描画法

Abstract: Yang Fuyin is a famous artist in Changsha, Hunan Province. He is not only proficient in poetry and painting theory, but also has a very high talent in painting. His "anti-line drawing" is one of his most acclaimed achievements. Through the method of literature analysis, this paper analyzes and summarizes the form, meaning, style of Yang Fuyin's "anti-line drawing" and its inheritance and innovation of Chinese painting. In terms of form, "anti-line drawing" has the characteristics of simplicity, change and subtlety, which has opened up a new form of painting for Chinese painting. In terms of implication, "anti-line drawing" shows the painting artistic conception of "deep feeling, thick taste, simple and high-quality". In terms of style, "anti-line drawing" focuses on balancing the relationship between elegance and vulgarity. "Anti-line drawing" is a model for the inheritance and innovation of Chinese painting. The study has important implications for the current development trend of Chinese painting, such as how to innovate ink and how to balance elegance and vulgarity.

Key words: Yang Fuyin, anti-line drawing, painting form, implication, inherit

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