曲靖师范学院学报 ›› 2020, Vol. 39 ›› Issue (1): 1-6.

• 文艺学研究 •    下一篇

两晋文论的文艺精神及现代意义

陈志刚   

  1. 曲靖师范学院 人文学院,云南 曲靖 655011
  • 收稿日期:2019-09-11 出版日期:2020-01-26
  • 作者简介:陈志刚,曲靖师范学院人文学院副教授,文学博士,主要从事中国古代文学、文论研究。

The Spirit of Art and ContemporarySignificance about Jin Dynasty Literature Theory

Chen Zhigang   

  1. School of Humanities, Qujing Normal University, Qujing Yunnan 655011, China
  • Received:2019-09-11 Published:2020-01-26

摘要: 两晋尊崇雅正的诗歌思想、以“征实”为创作原则的赋论及日益突出的文体意识等体现着两晋文艺之实用精神。陆机“诗缘情”的诗歌思想及以杜预、范宁为代表的儒家学者重视文章辞采等体现着两晋文论的审美文艺精神。两晋僧人在文学中注入具有超越尘俗的佛家思想、以成公绥为代表的以赋沟通天人的思想及研究文士专书的大量涌现,这写都鲜明地体现着两晋文论的超越精神。两晋文论的文艺精神在反思品格、不废辞采和文学意义的拓展等方面仍不失其现代意义。

关键词: 两晋, 文论, 文艺精神, 现代意义

Abstract: Feeling warm affection for proper, Seeking reality and stressing literature's form displayed practical spirit of Liangjin's literature. Luji's think of poem and Fanning's toke seriously written language displayed aesthetic spirit. Buddhist monk's thought and Chengongsui's thought displayed transcendental spirit. Jin literature theory had three contemporary significance which is reflective character, pay attention to rhetoric and expand literary significance.

Key words: Liangjin, Literature theory, Spirit of literature and art, Contemporary significance

中图分类号: