曲靖师范学院学报 ›› 2017, Vol. 36 ›› Issue (4): 117-120.

• 艺术研究 • 上一篇    下一篇

传播学视阈下的川剧海外传播初探

高山湖   

  1. 《四川戏剧》编辑部,四川 成都 610041
  • 收稿日期:2017-06-15 出版日期:2017-07-26
  • 作者简介:高山湖,《四川戏剧》编辑部助理研究员,主要从事中国传统戏曲艺术研究。

On the Oversea Transmission of Sichuan Opera from the Perspective of Communication

Gao Shanhu   

  1. Editorial Department of Sichuan Opera, Chengdu Sichuan, 610041, China
  • Received:2017-06-15 Published:2017-07-26
  • Supported by:
    文化部文化艺术科学研究项目:“川剧的跨文化传播研究”(13DB14)

摘要: 戏曲的海外传播是戏曲当代传承与发展的重要课题,作为地方戏大剧种的川剧同样如此。以传播学中的传播五要素为理论基础,从传播主体、传播对象、传播内容、传播渠道、传播效果五个方面,对当下川剧海外传播的现状与问题进行探讨,可对川剧乃至戏曲的跨文化传播提供相关启示与借鉴。

关键词: 传播学, 戏曲传播, 川剧, 海外传播

Abstract: The oversea transmission of Chinese traditional opera is the main task for its inheritance and development, so is the case for Sichuan Opera——one of the main local traditional operas. In this paper, the current situation and existing problems of Sichuan Opera's oversea communication are analyzed from five aspects, namely communication subject, object, content, way and effect, aiming to bring some enlightenment and insight to the intercultural communication of Sichuan Opera and other Chinese traditional operas.

Key words: Communication, transmission of Chinese traditional opera, Sichuan Opera, oversea transmission

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