曲靖师范学院学报 ›› 2019, Vol. 38 ›› Issue (2): 119-125.

• 艺术研究 • 上一篇    下一篇

闽剧儒林家乐的创腔艺术

周伟   

  1. 闽江学院 蔡继琨音乐学院,福建 福州 350108
  • 收稿日期:2019-02-23 出版日期:2019-03-26
  • 作者简介:周 伟,闽江学院蔡继琨音乐学院讲师,博士,主要从事民族音乐学研究。
  • 基金资助:
    2018年福建省中青年教师教育科研项目“闽剧唱腔音乐风格形成研究”(JAS180346)。

The Aria Creation in Rulin Mansion Music of Minju Opera

Zhou Wei   

  1. Caijikun College of Music Minjiang University, Fuzhou Fujian 350108, China
  • Received:2019-02-23 Published:2019-03-26

摘要: 逗腔作为闽剧唱腔音乐组成部分之一,源自明代曹学佺创立的儒林戏。在儒林戏“逗腔”的创立过程中,既确立了特定的剧目类型,强调严肃的主题、教化的内容、深邃的情感以及正统的表达,也形成了生、旦为主的角色唱腔风格,创腔过程中体现了明清时期戏曲艺术实践中文人阶层的社会生活样态,唱腔曲调的选择与研磨反映出一定的阶层审美趣味,具有深刻的历史文化内涵。

关键词: 闽剧, 儒林戏, 家乐, 创腔

Abstract: As one of the components of the Min opera, Dou tune is originated from the Rulin Aria that created by Cao Xuequan in the Ming Dynasty.During the establishment process of the Dou tune in Rulin aria,it not only founded a specific repertoire, emphasized serious theme、educational content、profound emotion and Orthodox expression, but also formed the singing style of roles that mainly based on Sheng and Dan. The creation process embodies the social life status of the literati stratum in the opera art practice of the Ming and Qing Dynasties,the choice and grinding of the aria reflect a certain aesthetic taste of the stratum ,and have profound historical and cultural connotations.

Key words: Min Opera, Ru Lin Aria, Mansion Music, Aria Creation

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